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The devil in the white city : murder, magic, and madness at the fair that changed America
2004
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A compelling account of the Chicago World's Fair of 1893 brings together the divergent stories of two very different men who played a key role in shaping the history of the event--visionary architect Daniel H. Burnham, who coordinated its construction, and Dr. Henry H. Holmes, an insatiable and charming serial killer who lured women to their deaths. Reader's Guide available. Reprint. 250,000 first printing. - (Baker & Taylor)

An account of the Chicago World's Fair of 1893 relates the stories of two men who shaped the history of the event--architect Daniel H. Burnham, who coordinated its construction, and serial killer Herman Mudgett. - (Baker & Taylor)

This New York Times bestseller intertwines the true tale of the 1893 World's Fair and the cunning serial killer who used the fair to lure his victims to their death. Combining meticulous research with nail-biting storytelling, Erik Larson has crafted a narrative with all the wonder of newly discovered history and the thrills of the best fiction.

Two men, each handsome and unusually adept at his chosen work, embodied an element of the great dynamic that characterized America’s rush toward the twentieth century. The architect was Daniel Hudson Burnham, the fair’s brilliant director of works and the builder of many of the country’s most important structures, including the Flatiron Building in New York and Union Station in Washington, D.C. The murderer was Henry H. Holmes, a young doctor who, in a malign parody of the White City, built his “World’s Fair Hotel” just west of the fairgrounds—a torture palace complete with dissection table, gas chamber, and 3,000-degree crematorium. 

Burnham overcame tremendous obstacles and tragedies as he organized the talents of Frederick Law Olmsted, Charles McKim, Louis Sullivan, and others to transform swampy Jackson Park into the White City, while Holmes used the attraction of the great fair and his own satanic charms to lure scores of young women to their deaths. What makes the story all the more chilling is that Holmes really lived, walking the grounds of that dream city by the lake.

The Devil in the White City draws the reader into a time of magic and majesty, made all the more appealing by a supporting cast of real-life characters, including Buffalo Bill, Theodore Dreiser, Susan B. Anthony, Thomas Edison, Archduke Francis Ferdinand, and others. Erik Larson’s gifts as a storyteller are magnificently displayed in this rich narrative of the master builder, the killer, and the great fair that obsessed them both.

- (Random House, Inc.)

Author Biography

ERIK LARSON is the author of four national bestsellers: In the Garden of Beasts, Thunderstruck, The Devil in the White City, and Isaac's Storm, which have collectively sold more than 5.5 million copies. His magazine stories have appeared in The New Yorker, The Atlantic Monthly, Harper's and other publications and his books have been published in fourteen countries. - (Random House, Inc.)

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Booklist Reviews

/*Starred Review*/ Larson's ambitious, engrossing tale of the Chicago World's Fair of 1893 focuses primarily on two men: Daniel H. Burnham, the architect who was the driving force behind the fair, and Henry H. Holmes, a sadistic serial killer working under the cover of the busy fair. After the 1889 French Exposition Universel wowed the world with the Eiffel Tower and high attendance numbers, interest began to grow in the U.S. for a similar fair. Chicago and New York were the top contenders for the location, and in February 1890, Chicagoans were overjoyed to hear they had won the honor. Burnham and his partner, John Root, the leading architects in Chicago, were tapped for the job, and they in turn called on Frederick Law Olmstead, Louis Sullivan, and Richard M. Hunt to help them build the world's greatest fair. They faced overwhelming obstacles: inhospitable weather, bureaucracy, illness, and even death. Unbeknownst to any of them, Holmes, a charismatic, handsome doctor, had arrived in the city and built a complex with apartments, a drugstore, and a vault, which he used to trap his victims until they suffocated. When the White City opened for business in May 1893, hundreds of thousands of people flocked to it, although a plummeting economy and several accidents did nothing to help business. A shocking murder concludes the ultimately successful fair, and that's before Holmes claims his final victims in the cruelest act of his career. A magnificent book. ((Reviewed February 15, 2003)) Copyright 2003 Booklist Reviews

Kirkus Reviews

A vivid account of the tragedies and triumphs of the 1893 World's Columbian Exposition in Chicago and the concurrent depravities of America's first serial killer.In roughly alternating chapters, former Wall Street Journal reporter Larson (Isaac's Storm, 1999, etc.) tells the stories of Daniel H. Burnham, chief planner and architect of exposition, and Dr. Henry Howard Holmes, whose rambling World's Fair Hotel, just a short streetcar ride away, housed windowless rooms, a gas chamber, secret chutes, and a basement crematory. The contrast in these accomplishments of determined human endeavor could not be more stark--or chilling. Burnham assembled what a contemporary called "the greatest meeting of artists since the 15th century" to turn the wasteland of Chicago's swampy Jackson Park into the ephemeral White City, which enthralled nearly 28 million visitors in a single summer. Overcoming gargantuan obstacles--politically entangled delays, labor unrest, an economic panic, and a fierce Chicago winter--to say nothing of the architectural challenges, Burnham and his colleagues, including Frederick Law Olmsted, produced their marvel in just over two years. The fair was a city unto itself, the first to make wide-scale use of alternating current to illuminate its 200,000 incandescent bulbs. Spectacular engineering feats included Ferris's gigantic wheel, intended to "out-Eiffel Eiffel," and, ominously, the latest example of Krupp's artillery, "breathing of blood and carnage." Dr. Holmes, a frequent visitor to the fair, was a consummate swindler and lady-killer who secured his victims' trust through "courteous, audacious rascality." Most were comely young women, and estimates of their total ranged from the nine whose bodies (or parts thereof) were recovered to nearly 200. Larson does a superb job outlining this "ineluctable conflict between good and evil, daylight and darkness, the White City and the Black."Gripping drama, captured with a reporter's nose for a good story and a novelist's flair for telling it. (6 b&w photos, 1 map, not seen)Author tour Copyright Kirkus 2002 Kirkus/BPI Communications.All rights reserved

Publishers Weekly Reviews

Not long after Jack the Ripper haunted the ill-lit streets of 1888 London, H.H. Holmes (born Herman Webster Mudgett) dispatched somewhere between 27 and 200 people, mostly single young women, in the churning new metropolis of Chicago; many of the murders occurred during (and exploited) the city's finest moment, the World's Fair of 1893. Larson's breathtaking new history is a novelistic yet wholly factual account of the fair and the mass murderer who lurked within it. Bestselling author Larson (Isaac's Storm) strikes a fine balance between the planning and execution of the vast fair and Holmes's relentless, ghastly activities. The passages about Holmes are compelling and aptly claustrophobic; readers will be glad for the frequent escapes to the relative sanity of Holmes's co-star, architect and fair overseer Daniel Hudson Burnham, who managed the thousands of workers and engineers who pulled the sprawling fair together 0n an astonishingly tight two-year schedule. A natural charlatan, Holmes exploited the inability of authorities to coordinate, creating a small commercial empire entirely on unpaid debts and constructing a personal cadaver-disposal system. This is, in effect, the nonfiction Alienist, or a sort of companion, which might be called Homicide, to Emile Durkheim's Suicide. However, rather than anomie, Larson is most interested in industriousness and the new opportunities for mayhem afforded by the advent of widespread public anonymity. This book is everything popular history should be, meticulously recreating a rich, pre-automobile America on the cusp of modernity, in which the sale of "articulated" corpses was a semi-respectable trade and serial killers could go well-nigh unnoticed. 6 b&w photos, 1 map. (Feb.) Forecast: With this book, Larson builds on the success of Isaac's Storm. Anyone with an interest in American history-in particular fans of Stephen Ambrose and David McCullough-should find much to engross them here. Copyright 2002 Cahners Business Information.

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