Rebecca Makkai is the author of The Borrower, The Hundred-Year House, which won the Novel of the Year Award from the Chicago Writers Association, and Music for Wartime. Her work has appeared in The Best American Short Stories, Harper's, and Tin House, among others. She lives outside Chicago with her husband and two daughters. - (Penguin Putnam)

Booklist Reviews

*Starred Review* In Makkai's (Music for Wartime, 2015) ambitious third novel, it's 1985, and Yale has just lost his friend Nico to AIDS: not the first friend he's lost, not nearly the last he'll lose to the terrifying, still-mysterious disease. Soon after, Nico's younger sister and Yale's friend, Fiona, connects Yale to her nonagenarian great-aunt, who studied art in Paris in the 1910s and now wants to donate her personal collection of never-before-seen work by now-famous artists to the Northwestern University art gallery, where Yale works in development. This potentially career-making discovery arrives along with a crushing reveal in Yale's personal life. Another thread throughout the novel begins in 2015 as Fiona flies to Paris, where she has reason to believe her long-estranged adult daughter now lives. With its broad time span and bedrock of ferocious, loving friendships, this might remind readers of Hanya Yanagihara's A Little Life (2015), though it is, overall, far brighter than that novel. As her intimately portrayed characters wrestle with painful pasts and fight to love one another and find joy in the present in spite of what is to come, Makkai carefully reconstructs 1980s Chicago, WWI-era and present-day Paris, and scenes of the early days of the AIDS epidemic. A tribute to the enduring forces of love and art, over everything. Copyright 2018 Booklist Reviews.

Kirkus Reviews

Another ambitious change of pace for the versatile and accomplished Makkai (The Hundred-Year House, 2014, etc.), whose characters wrangle with the devastating impact of the AIDS epidemic at its height and in its aftermath. In the first of two intertwined storylines, Yale and his live-in lover, Charlie, attend an unofficial wake for a dead friend, Nico, held simultaneously with his funeral service because his Cuban-American family has made it clear they don't want any gay people there. It's 1985, and Makkai stingingly re-creates the atmosphere of fear, prejudice, and sanctimonious finger-pointing surrounding the mortally afflicted gay community, even in a big city like Chicago. Nico's younger sister, Fiona, has rejected their family and attached herself to his friends, with emotional consequences that become apparent in the second storyline, set 30 years later in Paris. As is often the case with paired stories, one of them initially seems more compelling, in this case Makkai's vivid chronicle of Yale's close-knit circle, of his fraught relationship with the obsessively jealous Charlie, and his pursuit of a potentially career-making donation for the university art gallery where he works in development. Fiona's opaque feelings of guilt and regret as she searches for her estranged daughter, Claire, aren't as engaging at first, but the 2015 narrative slowly unfolds to connect with the ordeals of Yale and his friends until we see that Fiona too is a traumatized survivor of the epidemic, bereft of her brother and so many other people she loved, to her lasting damage. As Makkai acknowledges in an author's note, when a heterosexual woman writes a novel about AIDS, some may feel she has crossed "the line between allyship and appropriation." On the contrary, her rich portraits of an array of big personalities and her affecting depiction of random, horrific death faced with varying degrees of gallantry make this tender, keening novel an impressive act of im a ginative empathy. As compulsively readable as it is thoughtful and moving: an unbeatable fictional combination. Copyright Kirkus 2018 Kirkus/BPI Communications. All rights reserved.

Publishers Weekly Reviews

Spanning 30 years and two continents, the latest from Makkai (Music for Wartime) is a striking, emotional journey through the 1980s AIDS crisis and its residual effects on the contemporary lives of survivors. In 1985 Chicago, 30-something Yale Tishman, a development director at a fledgling Northwestern University art gallery, works tirelessly to acquire a set of 1920s paintings that would put his workplace on the map. He watches his close-knit circle of friends die from AIDS, and once he learns that his longtime partner, Charlie, has tested positive after having an affair, Yale goes into a tailspin, worried he may also test positive for the virus. Meanwhile, in 2015, Fiona Marcus, the sister of one of Yale's closest friends and mother hen of the 1980s group, travels to Paris in an attempt to reconnect with her adult daughter, Claire, who vanished into a cult years earlier. Staying with famed photographer Richard Campo, another member of the old Chicago gang, while searching, Fiona revisits her past and is forced to face memories long compartmentalized. As the two narratives intertwine, Makkai creates a powerful, unforgettable meditation, not on death, but rather on the power and gift of life. This novel will undoubtedly touch the hearts and minds of readers. (June)